Archive | Author Visit

Author Visit: Lily Williams and Kate Schneemann

Author Visit: Lily Williams and Kate Schneemann

This week we hosted an exceptional author visit at our library. The Class of 2025 heard from Lily Williams and Karen Schneemann about their brand new book Go With the Flow, which focuses on menstruation, equity, activism, and friendship. In preparation for the visit, our 7th graders had the opportunity to read Williams and Schneemann’s critically-acclaimed graphic novel. For more context, they watched the Oscar-winning short documentary Period. End of Sentence. which covers a group of women in Hapur, India working to make affordable feminine hygiene products available in their community. They also read about how this issue plays out closer to home, including the challenges inherent in managing menstruation for individuals faced with poverty or homelessness. Opening these conversations undermines taboos that result in harm to women and girls. An emphasis on awareness and solidarity left us all feeling energized.

Go With the Flow is available for check out at Casti Library!


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Interview with Chrishaunda Lee Perez

Interview with Chrishaunda Lee Perez

We’ve been lucky to host a number of author visits already this year! Our TA Lishan ‘20 sat down with one visiting writer. Read the interview below!


In early September, I had the opportunity to interview Chrishaunda Perez, the author of We Come as Girls, We Leave as Women when she came to visit Castilleja. Chrishaunda told me she had always enjoyed writing, filling many journals with her thoughts, and noting that she “just evolved writing into a profession.” She attended an all-girls boarding school in Connecticut and she said that experience and the teachers there influenced and cultivated her writing. After graduating from college, she ended up becoming a public relations professional in the fashion industry, combining both writing and fashion. When Chrishaunda had her first daughter, she took to writing during the quiet and introspective moments that caring for her daughter provided. She said that she wrote “a lot of things that I hated, a lot of things that I would never share with anyone…but at least I was getting my ideas on the paper.” After gaining a little more confidence, she began writing essays and started a blog that often touched on taboo topics regarding women. Chrishaunda one day thought to herself, “I wanna write something that’s just longer.”

It took Chrishaunda seven years to write her book We Come as Girls, We Leave as Women. The book takes place at a boarding school and has many girls from around the world and of different backgrounds, including voices that she thinks we “don’t have enough of in literature.” She adds, “Often times [in literature], their lives are being seen through the eyes of their white friends.” She expressed to me that she did get a bit of push-back from people who believed some of the experiences she was writing about were not commercially viable, for example, people who told her to make the black girl in her story “rougher.” At this point, I mention a video that I watched for English last year called “The Power of a Single Story,” which emphasized the consequences of having only one narrative that is being used to draw conclusions about a group of people or a place. Chrishaunda has watched this too, and she says “It’s not even the power of a single story, it’s the danger of a single story.”

Chrishaunda’s book is authentic to what she knows from her high school experience. She said, “I’ll tell you what it’s not, because I didn’t experience these things. I don’t talk about drugs, I don’t talk about bullies, the book doesn’t talk a whole lot about obsession with boys, because that’s just not my experience.” Instead, We Come as Girls, We Leave as Women explores themes of being there for one another, body shifts, culture, sexuality, friend and parental tension, and more with complexity.

One of the most impactful things Chrishaunda told me was the deeper purpose behind her work. She said, “I thoroughly enjoy communicating and spreading information to people that will help uplift them through comedy, through drama, and you really just talk about topics that are otherwise difficult to discuss, because it’s all about healing.”

As Thanksgiving break approaches, I encourage you to borrow Chrishaunda’s book We Come as Girls, We Leave as Women from the library!


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The Asian American Writers’ Workshop

The Asian American Writers’ Workshop

Picture shows poet Emily Jungmin Yoon, a young Korean woman wearing a white sweater, standing at a podium. She is speaking into a microphone, and behind her is a projected image of her book "A Cruelty Special to Our Species."

Emily Jungmin Yoon at speaking at Castilleja Library

This past Tuesday, the Class of 2019 was fortunate to hear poet and PhD candidate Emily Jungmin Yoon read some of her recent work. Yoon’s first full-length collection of poems, A Cruelty Special to Our Species, tells the complex stories of Korean “comfort women” during World War II. She is an inspiring writer who is open about the challenges she has faced as a young Korean Canadian poet trying to find her voice.

Yoon is part of Asian American Writers’ Workshop, a national nonprofit organization with the goal of helping Asian American stories be told. They “believe Asian American literature is vital to interpret our post-multicultural but not post-racial age,” and act on this belief with devotion “to the creating, publishing, developing and disseminating of creative writing by Asian Americans.” They want to start conversations about immigration, cultural pluralism, assimilation, and complex identities. As “one of the top five Asian American groups nationally,” they have the influence to empower and assist writers like Emily Jungmin Yoon.

The Asian American Writers’ Workshop began in 1991 when a group of Asian American friends and writers decided they wanted to be hearing more representations of their stories than just The Woman Warrior or The Joy Luck Club. They began the organization together, and within eight years their membership had quickly grown to a group of 600 operating out of a basement under a Gap store in New York City. They run their own bookstore, hold workshops for high school students interested in writing, and offer grants to writers in need. Most significantly, the organization helps writers publish their works.

These publications take the form of two literary magazines, The Margins and Open City. The Margins, their first magazine, is “dedicated to inventing the Asian American creative culture of tomorrow” and bringing Asian Americans out of the sidekick role and into the spotlight. Their literature includes essays, fiction, poetry, interviews, and more. Open City “takes the real-time pulse of metropolitan Asian America as it’s being lived on the streets of New York right now,” telling the stories “of the Asian and immigrant neighborhoods that comprise one million New Yorkers and 13 percent of the city, but that rarely find their way to mainstream media.” Both of these magazines are published on their website and are open for writing submissions. You can find The Margins here, and Open City here.

As America’s “melting pot” culture develops further, it becomes even more important to hear a variety of diverse voices represented. The Asian American Writers’ Workshop is working to make this true for Asian Americans pursuing literature. Although Asian American can mean a number of various identities, there’s a certain power in bringing them together in a community that has something in common: writing. Andrea Louie, a Chinese-American writer who is a part of the organization, is quoted in the New York Times: “I’ve enjoyed the diasporic experience of different groups. Even though it’s different, we’re very much the same.”


-Lia S. ’18

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Author Visit: Nina LaCour

Author Visit: Nina LaCour

Picture of author Nina LaCour: a brunette white woman wearing a yellow velvet shirt, looking at the camera.

Coming to the Castilleja Library in late September is Nina LaCour, author of five young adult novels! LaCour seems to charm every reader with her stories of love, grief, and friendship. Her novels are a true and candid study of her characters’ identities and emotional journey to find themselves in the world around them. Her novel We Are Okay received the Michael L. Printz Award for Best Young Adult Novel of 2017, and all of her novels have been recognized by Publishers Weekly.


What is most striking about LaCour’s novels to young adult readers is her beautiful writing and narrative that truly allows readers to connect with her characters. She tells stories about all forms of love, and as a member of the LGBTQ+ community herself, LaCour’s novels are a testament to all young adults and their experiences with love and friendship by centralizing their character development and emotions rather than their queer identities. LaCour’s literature stands out for this as well as her outstanding quality of writing, earning LaCour her critically-acclaimed status.

a collage of Nina LaCour's books

Nina LaCour will visit our library and campus from September 24th-26th. She will speak at an Upper School assembly on the 24th, and will visit all the tenth grade English classes. She will also have lunch with student writers, hold office hours in the library, and host a writer’s workshop in the Ace Center during late start on Wednesday.

–Meher S., ’20


Ms. LaCour’s Schedule:

Monday, September 24th:
Assembly for grades 8 – 12, Chapel Theater: 2:35pm – 3:15pm
Book signing and informal Q & A, Library: 3:20pm – 4:00pm

Tuesday, September 25th:
Lunch with upper school student writers, ACE Project Room: 12:10pm – 12:55pm

Wednesday, September 26th:
Writing workshop during late start, Library: 8:00am – 9:00am
Office hours, Library: 9:00am – 11:00am
Lunch with middle school student writers, Room 9: 11:15am – 11:50am

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The Second Annual Celebration of Casti Authors

The Second Annual Celebration of Casti Authors

We had such a great time last year that we’re doing it again! Join us in the library on Monday, May 1st from 3:30-5:30 for a celebration of Castilleja’s writers.


  • Student author readings
  • Live music
  • Coffee, tea, and treats

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Author Stephanie Kuehn Visited For Banned Books Week

Author Stephanie Kuehn Visited For Banned Books Week

Stephanie Kuehn, author of Charm and Strange, Complicit and other books beloved by Casti students, visited last week during Banned Books Week. Elle G. and Supriya L. wrote a recap of her visit.

Stephanie Kuehn is a young adult author who visited Castilleja on September 26, 2016 for Banned Books Week. Some of her books have been challenged, and she talked to the eighth graders about her views on censorship. Ms. Kuehn believes that many young adult authors’ intentions are misunderstood, often being blamed by adults and parents as being “too dark” when these authors are just being honest. She thinks that YA authors should be able to express their ideas about dark subjects without feeling the need to sugarcoat, and therefore shield shield the message from readers.

She talked about the ways that YA authors give stories the positive overlay that some adults feel that they need. One of the main ways that they do this is by incorporating hope. She said that stories with hope either have a character finding their voice or their identity, the character’s life has meaning, or it shows that the characters can be themselves (or learn to be themselves). However, the main point that she stresses about these themes is, is it true? Do we really live in this idealistic world? Of course not! So why should we tell our YA readers that we do? After all, aren’t most of them going to be looking after themselves in the real world soon enough? Now this begs the question, why should we hide this from them? Well, Ms. Kuehn said that it sometimes has to do with control. She said that if you’re a parent and are used to regulating what your children read, it may be hard to let them read about dark ideas, such as suicide, and violence, unless there is a way “back up” from the dark place. Nonetheless, readers should be able to understand their own development, and choose books which correspond to this development.

In conclusion, Ms. Kuehn’s visit enlightened us about Banned Books Week, and told us a lot about herself as well. She grew up in the Bay Area, and went to boarding school in the East Coast, which partly inspired the setting of her first book, Charm and Strange. In addition, she started writing at a young age, particularly being influenced by her father, who was a writer, journalist, as well as editor. We are so glad that Ms. Kuehn came here to talk about censorship during Banned Books Week, and be sure to check out all of her books, especially her new book, The Smaller Evil, in celebration of Banned Books Week!

Written by Elle G. ‘21, and Supriya L. ’21


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